Gregory Alan Isakov at Soho

It was a night of dreamy, feel-good tunes as Gregory Alan Isakov wowed the crowd at Soho with songs from his new album "The Weatherman". With raw emotion and lyrics that matched his folksy aesthetic, Gregory Alan Isakov is not just any acoustic folk singer; he's a poet that pulls at your heart as his voice dissipates through the air like a heady incense fills a room. Isakov's music evokes open plains, blue skies, and the feeling of the sun on your face in the summertime. There is something innately genuine about Isakov that separates him from other singers in his genre. His melodies are simple, and his lyrics are at times dark, but there is a stamp of authenticity that so many other artists lack that he possesses effortlessly. In the last five years, acoustic folk acts have become immensely popular, yet so many of the songs have the same patterns and are for a lack of a better word, uninspired. The pain, loss, and heartbreak are evident in Isakov's music, but are displayed gracefully through his warm, grainy voice that has the quality of making you feel calm and comfortable. "The Weatherman" is a sweet contrast from some of his previous albums like "The Empty Northern Hemisphere" and "That Sea, The Gambler". The new album holds a sacred and personal sound that makes it an emotional experience to listen to. Soho was quiet with wonder as each note slowly dripped into the air- songs like "The Universe" and "Suitcase Full of Sparks" were captivating and profound. Gregory Alan Isakov has similarities to singers like Ray LaMontagne, who also sings of  past experiences and shares what seems like deep, personal thoughts through sensitive lyrics, that strike a chord with their audiences. Isakov's musicality and ability to penetrate to your core makes his music ideal to listen to on a quiet day, as it is reflective and heavy with true feelings. There is a kind of "beautiful sadness" that is embodied throughout "The Weatherman". In its deceptive simplicity, the album is a culmination of what people crave most in life, which is the ability to fall in love, learning to let go, and coming home. It's as if Isakov is giving the listener a small taste of his soul through each song, as Soho's audience was drawn to him like a moth to a flame. Isakov presents a refreshing sound that has the earthy resonance good folk music has, with a unique approach that puts him above the rest.

I recommend "The Universe" and "Saint Valentine" on "The Weatherman"

Belle and Sebastian at the SB Bowl

 A sweet and nostalgic feeling was in the air as Belle and Sebastian took the stage at the Santa Barbara Bowl. With a witty" over the pond" sense of humor and a charisma that could only be Stuart Murdoch, Belle and Sebastian delivered a fun, laid- back performance that had the audience swaying and singing along, as many of their tunes are associated with people's childhoods. With quintessential indie-pop numbers like " I Want the World to Stop" and classics like "Piazza New York Catcher" , the band created a relaxing atmosphere that matched the dewy evening. As their first performance at the Santa Barbara Bowl, the band took full advantage of the open-air venue, as Stuart Murdoch frolicked through the crowds, spreading good vibes that were felt by everyone there. Belle and Sebastian has had a lasting quality because of their music's ability to appeal to a wide variety of demographics. Albums like "Write About Love" are cherished by both both young college students and older couples alike. It's the sensitive nature of their lyrics and their playful yet at times melancholy song structure that gives you a similar feeling to listening to a band like The Cure, which certain tunes of Belle and Sebastian is reminiscent of. Their music is the bridge between 80's classics into the evolution of indie-pop; a genre that Belle and Sebastian may very well have been one of the creators of. Established in the 90's, Belle and Sebastian has still managed to keep things modern and fun, while staying true to their roots, as there is a smooth yet progressive transition from their earlier albums like "Tigermilk" and  "If You're Feeling Sinister" to more recent albums like "Write About Love". The slight disco-esq beats and delicate, yet poignant vocals blend together to create a product that embodies a decade yet has stayed fresh enough to be just as interesting to listen to as they were ten years ago. The beauty of Belle and Sebastian is that its as if time has had no real meaning- they're having just as good of a time, if not better, as they did when they first started performing. The band's chemistry with each other along with the string quartet, gave their sound more of a depth and a slight folksy sound that was both unexpected and refreshing. There is a kind of warmth that Belle and Sebastian brings to a performance; it is their genuine love for the music they play and the respect they have for each other that has given this band the lasting quality that so many bands crave for.  Violinist and main vocalist Sarah Martin, along with Stuart Murdoch played a plethora of instruments during the performance, portraying that each individual member of the band is very talented individually as well; the manipulation of so many different instruments has led to a band that is sure to continue to impress crowds well into the coming years; the Santa Barbara Bowl audience sure was.

Belle and Sebastian

Robert Plant at the Santa Barbara Bowl

Patchouli and incense wafted through the air at the Santa Barbara Bowl and was to set the mellow and nostalgic feel of the night. With a colorful poster of a young Robert Plant in the back, his band, The Sensational Space Shifters with the great man himself ignited the stage with a potent blend of Led Zeppelin classics mixed in with songs like "Tin Pan Valley" and "Witchdoctor" creating an eclectic mix that evoked images of desert nights, gypsies, and dimly lit rooms. With lust-ridden riffs and hypnotic middle eastern infused melodies, Robert Plant and The Sensational Space Shifter's performance took the listener to exotic, far away lands. With a voice like a perfectly aged wine, Robert Plant's voice still demands his audiences attention like it did when he was with Led Zeppelin. His crew of talent under the name of The Sensational Space Shifters is made up of Liam Tyson, Justin Adams, Billy Fuller, John Baggot, Dave Smith, Juldeh Camara, as well as Patty Griffin. Camara, who hails from Africa, lends his unique instrument and voice to many of the songs, giving them a unique multicultural spin. It is the beauty of the manipulation of many of the numbers in their set that gives Robert Plant and The Sensational Space Shifters their one of a kind sound; its the evolution of a tribal middle eastern drumbeat that seamlessly becomes "Black Dog" and then sweetly resolves into a heady mixture of distorted guitar riffs that are caressed by the gentleness of African rhythms that are dispersed throughout the music. Classics like "Going to California" and "Rock and Roll" brought the listener back to Zeppelin roots, but the smoky, mysterious riffs of numbers like "Enchanter" and "Fixin' to Die" were as haunting as amber colored embers in a deep fire. A psychedelic and experimental approach is justified in what becomes the ideal combination of classic rock and world music. Plant's new project can be compared to the likes of a good perfume, with perfectly balanced top and bottom notes that are both familiar and unexpectedly different, essentially bringing about melodies and harmonies that seep into your skin and flirt with your libido as the music possesses an innate sensuality that may have you undressed before you know it. The sexual energy that Led Zeppelin was notorious for is simply extrapolated in The Sensational Space Shifters, as they truly cast a spell on their audience; the performance is like falling under a nostalgic trance that stays long after the show is over. It's the diversity in his band that brings to fruition an album that is unlike anything you've heard before- with hypnotic, prayer-like lines, this was not simply a concert, it was a spiritual experience that had you craving for more and in anticipation of what was coming next. Plant even included "Please Read the Letter" into the mix from his Raising Sand album- the show was a constant see-saw between sweet and sexy, with a kind of foreplay that teased and then plunged into a full on cacophony of musical colors. If you weren't a Plant or Zeppelin fan before, one listen to this album may just change your mind, and hell, you may even need to change your underwear.

Check out the full album on YouTube and 
be sure to buy the album on Amazon: "Live in Rio"

Youngblood Hawke at Avalon

Dimly lit Avalon in Hollywood was all aglow as up and comers Pacific Air started the show with melodic vocals and a fun scene as some of their songs like Roses had everyone grooving to the beat; Pacific Air provided a very cool and "modern" kind of sound that had the young crowd going. With a fun and hip sound, Pacific Air set the pace for what was to be a full on musical party, as Youngblood Hawke was as fun to hear as they were to watch. Made up of Alice Katz, Sam Martin, Simon Katz, Nik Hughes, Omar Ahmed and Tasso Smith, the band is truly a treat for your eyes and ears as this stylish crew had the audience buzzing with numbers like "Stars" and their hit "We Come Running". If indie pop had a definition, it would be Youngblood Hawke, as they provide a much needed escape from the monotonous folsky-rock indie bands that have been multiplying like rabbits; they're like a sip of a frosty strawberry daquiri on a hot summer day, the music is sweet and playful, and while it still has some rock-inspired foundations, Youngblood's young and wide-eyed approach to their tunes is reminiscent of carefree days, youth, and parties, as their concentrated sound explodes into a prism of bright colors. The tribal undertones of the drums help create an animalistic and primal feeling that is epitomized in Sam and Alice's electrifying energy, as their vocals and the controlled chaos of the band are wild and reach new heights- Youngblood Hawke is the kind of band that feeds off their audiences energy, as they're basically having a full on fiesta up on stage with instruments- they are visually creative and stylish, as Alice Katz's caftan flowed as she strutted the stage with power vocals coming from her small frame. Sam Martin was equally entertaining as he got close and personal with the audience dancing from one end of the stage to another. With a colorful band to match, Youngblood Hawke's music is feel-good, chic party music that is perfect listening for a workout or a fun weekend with your friends. Youngblood also contrasts their light feel with edgy songs like "Protect Yourself" which has some bluesy, minor licks that differs from the rest of their material. Named after the novel Youngblood Hawke by Herman Would, Youngblood's music is reflective of a "free spirit" mentality that matches their youthful vibe. A perfect companion to your summer essentials, this motley crew of talent is sure to please and be the "wow" factor to your pool party or summer road trip. So put your dancing shoes on, and get in the groove with their infectious beats and upbeat lyrics... they're simply irresistible.

I recommend "Protect Yourself" and "Stars" off their album "Wake Up"

Sea Wolf at Soho

Folksy melodies blended with ethereal undercurrents filled the air as Sea Wolf crooned bittersweet songs along with his band. The set started with his classic "You're a Wolf" from which he then went into music from his new album "Old World Romance" which is a lyrically and musically stunning album, as songs like "Dear Fellow Traveler" and "Whirlpool" transcends your thoughts to distant lands and warm memories marked by a rosy glow that come from Sea Wolf's clear and harmonically pleasing voice. There is a deep connection Sea Wolf seems to have with his music, as it is easy to tell that each song holds a deeper meaning than what meets the ear- it is his ability to tap into the inner corridors of the soul that makes Sea Wolf's music resonate with his audiences. The music truly has an "old world" effect, as though the sound is modern, there is something innately mysterious about it; the seamless mixture of folk and a light rock sound characterizes this new album, a different perspective from his previous albums. Consequently, the music has a new backbone- this time, with more percussion, more guitar and more fire- it still has all the beautiful qualities of what Sea Wolf is known for, but the heavier sound of the band adds some edge to Sea Wolf's usually soft and pleasing songs that compose the majority of his other albums. Personal anecdotes, nature, and experiences mark most of Sea Wolf's lyrics- his personal attachment to the music is what is makes it such a pleasure to listen to. You can feel his heart ache through songs like "Dear Fellow Traveler" as the music has a definitive light rhythm that explodes into a brilliant mixture of overlapping melodies and harmonies that show off Sea Wolf's talent in a refreshingly unexpected way. Sea Wolf's music has the same effect as finding solace in a forest or driving through the mountains on a foggy day- its the kind of sound that you can get lost in- Old World Romance's haunting tunes burn like dark embers and seep into depths of your very being, as songs like "Whirlpool" and "Nothing" have nostalgic qualities- it’s that "wanderlust" feeling that Sea Wolf's music awakens; not only is it beautiful, but it is in many ways transcendental- the different layers in Sea Wolf's new album create an unforgettable listening experience. Sea Wolf's performance at Soho was as spiritual as it was enjoyable- warm lighting and solid audience energy gave the whole performance a vintage feel, in symmetry with Sea Wolf's sensitive and old soul approach to his music. "Old World Romance" should undoubtedly be listened to like an opus, as each song takes you on a new journey; get your bags together, you'll be traveling before you know it.

Old World Romance

I highly recommend songs "Dear Fellow Traveler" and "Whirlpool" 

Bottle Rock: Three Artists that Brought the Heat

The warm Napa sun caressed my shoulders as I made my to the first of Bottle Rock festival. In the middle of a sleepy residential neighborhood, a fantastic music festival that combined the best Napa has to offer in terms of wine and food combined with one of the best lineups was about to make history. Napa Valley was aroused during the five day festival that is sure to only increase in popularity, as it's first year proved to be an incredible experience for whoever attended. With an eclectic crowd that boasted everyone from the hippie chick to middle-aged couples, Bottle Rock had something for everyone- and for those magical five days, Napa Valley set its soul on fire. While there were some incredible performances given by the top-dogs, here are some of the up and coming artists that rocked it just as well.

Flagship: With a melding of beautiful and harmonious sound with an edge, Flagship is reminiscent of bands like Coldplay, Boxer Rebellion, and Kiven; their rough, yet vocally sweet combination of sounds gives them a unique feel that has both turbulence and epiphany-esq moments, where the sound simply dissolves and leaves you in a different state of mind. The stark contrast between the heaviness of the band and the almost melodically classical qualities of the vocals give Flagship a unique flavor that is represented in songs like "Backseat" and "Older". With introspective words that match their other-worldly kind of music, Flagship is both captivating and interesting to watch as their sound is the kind of music that swallows space; it re-defines the listening experience as the individual listening is treated to a platter full of unique harmonies and melodies that fully satiate the musical hunger that drives us to continually find that "band" or "song" that fulfills us. It may be those almost classical notes that ascend from the golden chords of Flagship's vocalist that take the listener to the next level; they are simply over saturated with talent and it will be no surprise that this little band from Charlotte, North Carolina will be pulling at the heartstrings of alternative rock fans, or for that matter anyone that enjoys good music. Flagship consists of Drake Margolnick, Grant Harding, Matthew Padgett, Michael Finster, and Preston Hayden.

Allah-Las: Birthed from the surfer-rock womb, known as California, or more specifically Los Angeles hails Allah-Las- with a quintessential beachy sound, Allah-Las has you craving summer, roadtrips, and being barefoot in the sand. Allah-Las could just be the child of  ifThe Doors and The Rolling Stones came together;  as their simple combination of layered voices pairs with a hypnotic blend of sun-kissed guitar riffs and a light percussion that is impossible not to dance or sway to. Unlike other indie surfer-rock projects, Allah-Las is churning out the "classic surfer rock" kind of sound that makes it feel like its straight out of the 60's or 70's; their musics mesmerizing qualities mimic the California landscape so perfectly that once you listen to Allah-Las, permanent images of beautiful beaches, tan women, and vintage cars imprint in your mind. There is a kind of sensuality about Allah-Las that warms your soul just like the comfort of a California sunset; Allah-Las' lyrics are all about finding love and running away; themes that ever-present in the California mindset; its the kind of music you want to travel with- its the kind of music that makes you feel young and alive. Songs like "Long Journey" and "Sacred Sands" feel like they almost require a vintage caravan and women clad in caftans and beads- Allah-Las has a nostalgic sound that seeps into your skin and releases thoughts of wanderlust and the want to be free of all your worries. Allah-Las consists of Matthew Correira, Miles Michaud, Pedrum Siadatian, and Spencer Dunham.

Vintage Trouble: Sultry, Mo-town blues and rock come together in a soulful manner as Vintage Trouble was one of the most exciting performances to watch at this year's Bottle Rock festival. With a feel-good sound and a voice that fills the air with a syrupy goodness, Vintage Trouble has all the comfort you seek in a good blues band. The band combines a variety of sounds that have a certain down to earth feel that is both real and hearty. Songs like "You Better Believe It" have a similar vibe to Black Joe Lewis and the Honey Bears, as the singer provides a powerful, take no prisoners kind of sound that is as fun as it is catchy. With a late 70's vibe aesthetic mixed with a modern blues take, Vintage Trouble satisfies the need for some good 'ol blues and rock, while still it making it modern enough that it can be enjoyed by people of all ages. It's the kind of music that brings people together, as Ty Taylor brings the heat through electric vocals and funky rhythms that have your hips jiving and hands clapping.  Bands like Vintage Trouble are bringing blues back with a new twist- something bands like the Black Keys have been doing, and its truly been transforming what people have been listening to. Blues is the heart and soul of most rock n'roll, and really most music; it is the primordial, visceral notes of the dirty riffs that get you somewhere deep in a song, and Vintage trouble delivers all of these qualities with a fiery kick.

Bottle Rock showcased many talented bands, and these three up and comers are definitely bands to look out for as their music offers something really unique and memorable. Be sure to look them up on Spotify and I-Tunes.... and come to Bottle Rock next year to discover some of your next favorite bands. It's nirvana for all you music lovers, and for those that don't really dig the big festivals, Bottle Rock provides the intimacy of individual concerts while still offering Napa's delicious food and wine with a crowd that's mellow and just loves good music; it's all about the music at BottleRock, no fluff included.

Flagship

Vintage Trouble

Allah-Las

Bottle Rock Festival

The White Buffalo at Soho: A magical experience

Raw, Untamed talent undulates through Soho as the White Buffalo bares his soul through rusted melodies that paint mental pictures of barren landscapes, warm whiskey, and old trucks driving through open roads. There is a vintage and natural quality about the White Buffalo that is alluring and rough that you immediately feel like you are intimate with the glorious, heart-wrenching melodies that swell something visceral and primal deep in your body. It's the kind of music that makes you feel grounded and like you've transcended to some kind of spiritual place simultaneously  The White Buffalo pulls at you through songs like "One Lone Night" that start with a growly, dirty sound that ascends into a sweet melody laced with a dark, folksy aura. "Sleepy Little Town" and "Stunt Driver" present The White Buffalo's artistic exploration- with each folk-tinged, blues influenced, and country twanged note that present itself in the most delicate manner, the listener is taken to a simpler place and time. With a voice that has qualities of the great Eddie Vedder of Pearl Jam and a rustic Iron and Wine, the White Buffalo is the lone-ranger product of a hearty combination of genres that he makes so personal, it feels like he is sharing his deepest fears, passions, and ambitions with you. Elements of rock n' roll and folk intertwine in a hypnotic fashion that has your body and soul gravitating to some higher place, as his honest lyrics and rich, dusty harmonies have the comfort of a well worn pair of cowboy boots or the awe after seeing a mountain view littered with stars. It is so rare to find an artist that is so uninhibited and free; its evident that his lyrics and music come from something deep within him; its the kind of music that stops you in your tracks, and the effect he had on the audience at Soho was something special to see- people were bewitched by his presence and his sound. A humble man that looks a bit like a lumber jack made people feel like they were on cloud nine. It was a performance that was both personal and open at the same time- there was a feeling of being alone and one with the music while a crowd surrounded you; a quality that only some of the best musicians have. The White Buffalo was playing not to your ears, but the hallowed rooms of your soul- his music makes you feel whole and the sound is so tangible and real that its as if he is conversing with your deepest heartaches and inner-most secrets with his sensitive, yet full sound that can only come from a real man. His album is a contrast between rousing tunes to deliciously minor melodies that haunt your mind and send chills down your spine.  The hazy, dimly lit Soho was ignited by a musical flame through the White Buffalo, as his innate musicality burned a magnificent flame song after song. White Buffalo's performance was not just a music experience- it was a spiritual one too.

I recommend his songs "Stunt Driver" , "One Lone Night" ,  "Sleepy Little Town" and "The Whistler" as well as the Dakota Sessions on YouTube.

The White Buffalo's music has also been featured on TV shows like "Sons of Anarchy" as well as the movie "Safe Haven"

Check out The White Buffalo's entire album, and I bet that he'll be your newest starred artist on Spotify, or your latest addition to your I-Tunes library.

The White Buffalo

Come See Nicki Bluhm and The Gramblers

Nicki Bluhm and The Gramblers: Check them out at The Soho, Santa Barbara, CA


Craving that summertime sound? Please be sure to check out Nicki Bluhm and The Gramblers at Soho in downtown Santa Barbara. With a cool infusion of rock, soul, folk, and even a little blues, Nicki Bluhm and The Gramblers have a little something for everyone. Their record "Driftwood" provides an eclectic mix of sounds that are worth a listen, with feel-good melodies and heartfelt harmonies that are mellow and cool. Bands like The Eagles, Fleetwood Mac, and Linda Ronstadt come to mind as tracks like "Ravenous" and "Little Too Late" set a dusky, warm mood that is both intoxicating and inviting. It's sure to be a  fun night at Soho- stay tuned for the full article after their performance, as well as a short segment on an interview with Nicki herself. Come enjoy their music and their awesome vibe at Soho on May 3rd..... it's sure to be a great night.

Renegade Stringband at SoHo

It was a night of foot stomping, soul-warming bluegrass from the band Renegade Stringband. The group of singer Jessica Jarris, banjo player Joe Seamons, guitarist Austin Moore ( a Santa Barbara native), Fiddler Ben Hunter, Bassist Max Kutzman, and dobro player Gavin Duffy who wasn't present. An eclectic group of people, Renegade Stringband offers a plethora of sounds that both delight and intrigue. Each individuals talent is impressive; Jessica Jarris' voice offers powerful folksy and bluesy tones that radiate through the room, while Kutzman's bass gives the band a solid foundation. Seamon's banjo gives their music that quintessential bluegrass feel when added to the richness of Moore's guitar, and Ben Hunter's fiddling is something truly outstanding. Tunes like "Mission Creek" and "Walls of Time" are like walking through an apple orchard on a warm spring day. Jarris' voice really carries and blends seamlessly with the band. Of course after talking with Jarris after the concert she informed me that she had trained in classical voice, and boy could you tell- her musicality is intuitive and she treats each note with a kind of delicacy that's like dessert for your ears. Renegade Stringband also plays bluegrass versions of famous tunes like "Chocolate Jesus" by Tom Waits and "Tighten Up" by the Black Keys, giving these popular songs a wonderful new twist- Renegade Stringband isn't just a typical Bluegrass group- they have solid elements of folk and blues and even a little rock in their music that only further elaborates on their fundamentally grounded, cowboy boots necessary kind of sound. Joe Seamon's banjo on songs like "Anna's Breakdown" exhibit the variety of their music- each song offers a different glimpse of their many gifts, as there was not a dull moment at Soho- what more? It was a Tuesday night, and everyone was dancing along to the irresistible sounds coming from stage. Bluegrass is a genre that is either loved or greatly disliked by people- its this interesting mixture of blues and folk and twangs of country that give it a flavor that has really evolved over the last twenty years.Bluegrass lover or not, its almost hard not to love Renegade Stringband- they offer something novel, that while still being Bluegrass, does not ignore solid folksy and blues inspired sounds that make their sound so much more universal than just a typical bluegrass group. Overlapping vocals in songs like "Terror Risin' Blues" are accompanied by a slightly muted banjo with the heart being in the bass creating an earthy feel that has you swaying and leaves you a little mesmerized. There is something wonderfully homey about Renegade Stringband; their connection with each other and passion for their music leaves you feeling content and satisfied and has the ability to make you forget your worries for a little while- something we all want music to do. After their performance, I got to talk to them a little bit and they could not have been a lovelier bunch; if you're just getting your feet wet in Bluegrass music, Renegade Stringband will not disappoint. The band comes to the Santa Barbara area twice a year, so be sure to check them out when they swing by again.

I highly recommend "Nature's Gospel" and "Terror Risin' Blues"

Renegade Stringband is currently on tour

http://renegadestringband.com/site/

From the left: Gavin Duffy, Max Kutzman, Jessica Jarris, Ben Hunter, Joe Seamons, and Austin Moore

Martin Harley

You may say he's got a bad case of the dirty blues. Opener to ZZ Ward at Soho, singer and guitarist Martin Harley delivers a punch through a strong set of songs that are reminiscent of open spaces, hot summers, and dimly lit bars.  Raised in England, Martin Harley has elements of the greats like BB King and Junior Kimbrough in his music, offering to the audience the ultimate ear candy. With a rough approach to his guitar, Harley releases something primal and attention grabbing the moment his fingers strum the first chords. His album "Mojo Fix" is full of foot tapping and jaw droppingly good riffs that leave you lusting for more. Songs like "Outlaw" begin with a kind of muted guitar sound and a folksy twang that meet together in perfect harmony. Harley's voice glides over his guitar like distressed leather, with the wear and comfort you crave in a good blues singer. With a glass of bourbon in his hand, Harley made quite the appearance at Soho; the moment he starts playing you find yourself watching with delight as his hands skillfully caress the guitar that compliment his tough aesthetic; his lyrics touch on what a lot of blues talk about; going against the man and working hard, except Harley has a pleasantly surprising sensitive approach, as songs like "Cardboard King" are as romantic as they are sentimental, yet with an underlying toughness that gives it a boldness that is unique to him. Harley's "Ball and Chain" showcases his exceptional sliding skills, something that is not only difficult to master but is a large part of most of Harley's music. Delicate folk elements and the hardness of the blues coming together give Martin Harley's style an individual flavor that makes you have the urge to get on a motorcycle and go on a road trip. Barren landscapes and good whiskey seem to come to mind when you listen to him; its singers like Harley that makes the blues so sexy. Thanks to artists like Jack White and the Black Keys, blues has made a comeback, and Harley is not far from those talents- his sincerity, and possibly that charming English accent make his music irresistible. Completely acoustic at Soho, you could really hear the intricacies of his melodies and the glorious improv riffs that he goes into; Harley's album simply adds a couple layers that are definitely worth a listen. Harley is incredibly in tune with his music and you can really hear him feel every note that pours out of his guitar and he fully radiates that to his audience. Martin Harley was the perfect opener for ZZ Ward, and I most definitely look forward to what comes next from him.

Check out "Mojo Fix"

I recommend "Ball and Chain" and "Outlaw"

ZZ Ward: Fire and Shine Tour @ Soho, SB

"Put the Gun Down" Ward's voice commands in a soulful manner as she sways along to her song on stage at Soho in Santa Barbara. Soulful, sultry, and brazen- ZZ Ward brings the cool element to her unique mixture of blues, pop, and folk. Raised in Oregon, Ward has blues in her blood, with her inspiration stemming from listening to old rock, blues, and pop vinyls as well as her father's influence. Ward's voice could be explained as the love child of Adele and Amy Winehouse, except it also has a sound that is distinctly hers. Ward started her set at Soho with numbers like "Home" and "Till the Casket Drops", each offering pleasantly different harmonies and melodies; none of ZZ's music is repetitive, each song has you feeling something totally different from the one that was just played. While songs like "Home" are sentimental and poetic, songs like "Put the Gun Down" and "Blue Eyes Blind" give a kick of female power. Maybe that's what makes ZZ Ward so cool- she embodies female empowerment through her music, and isn't scared to sing what she thinks, something I can totally respect in an artist. Forget sappy teen washout singers that are more show and glitter than substance; ZZ is all substance with a fiery flare that attracts all kinds of audiences. It's obvious that the band she plays with are in love with her as well- not only were they having fun performing, but there is something intuitive between all of them; you can really feel those blues hit you when Eric, the guitarist touring with ZZ goes off into a riff that transcends time; its that kind of sound that gets you closer to god. Good music does this- and ZZ Ward's soulful and sincere voice along with the band is like melted butter on pancakes. Not only is ZZ Ward's music distinctively hers, but her style is also quite something, with her dusky speaking voice and a signature hat with a feather, emphasizing her larger than life eyes. ZZ Ward is too much her own woman to be put in the same category as a bunch of other young female singers- yeah, her music is about a boy that broke her heart, but are they songs about her pining for his love? Hell no. Instead they're a retaliation in the best way; through hearty melodies and sexy rhythms that would leave any boy that broke a girl's heart running back to her in a split second. ZZ Ward is in the big leagues with singers like Adele, Amy Winehouse, and Duffy- with a folksy twang that just may have you hopping onto i-tunes to buy the album. It's rare that so much talent can be found in someone as young ; her lyrics are poetic yet bold, and her f*** off attitude matches the album perfectly. ZZ has a kind of demanding presence, and you can't help but dance when her sound hits you- Ward is definitely the new cool chick on the block and someone that you should look out for in the future. Her album "Put the Gun Down" is just the start of something pretty amazing- the girl's got it.

Check out ZZ Ward's album "Put the Gun Down"

I recommend her songs "Put the Gun Down" and "Move Like You Stole It"

Junipero at SoHo

Organic, Folksy, Creative. These are just a couple of words to describe UCSB's own Junipero, a band that has a soft spot in the hearts of all that know of them and their music. Composed of Kasey Warner, Dave Pascoe, Michael Sallstrom, and Hanna Haas, Junipero has a quintessential sound that is reminiscent of warm sunsets, long walks on the beach, and comforting chai lattes. With numbers like "Case of Fire" and a heart-warming rendition of Simon and Garfunkel's "Cecilia", Junipero makes use of compatible harmonies between Michael and Hannah, as well as Dave to create warm and memorable sounds. All four of them create a kind of energy on stage that you can't help but gravitate toward them- Dave's incredible violin skills, Kasey's simple yet unique approach to percussion, and Michael and Hannah's soulful vocals and guitar make Junipero a band that you find yourself swaying to. Junipero has become so popular among UCSB"s student population that during a performance, like the one I recently attended at Soho, people will be singing along and dancing- Junipero also has a fun aesthetic as they like to dress up (especially Dave) and encourage the audience to do so as well. Junipero's music draws in every kind of listener,  from the hippie girl that like to dance barefoot, to serious music lovers and critics, and it seems that Junipero finds a way to make everyone happy. Maybe its that violin or Hannah's grainy vocals, or their alternating melodies and harmonies that slowly take you to a place where all is calm and peaceful. If the phrase "down to earth" could be categorized into a sound, Junipero would be that sound- they are what people seek when they crave that local, "home" feeling you get from listening to a good set of songs. Not only are they all full of talent, but Junipero also consists some of the nicest human beings you'll ever meet. They make sure the audience is feeling good, and radiate love and compassion through each one of their songs. I'm always left with chills and there's undeniably a smile on my face after listening to songs like"Cecilia" and "Case of Fire". Junipero also performed some new songs at Soho, including " The Ballad of Captain Planet" which has your foot tapping, and has a kitschy feel with Kasey's light percussion and Dave skillfully placed violin as Michael sings.  Want to know what Santa Barbara sounds like? Listen to Junipero- they will not disappoint. Be ready though, you'll soon be left with a similar feeling of seeing a warm Santa Barbara sunset.

I highly recommend "Cecilia" and "Case of Fire"

Check out Junipero's MySpace page:

http://www.myspace.com/juniperosound

Hannah Haas, Kasey Warner, Michael Sallstrom, and Dave Pascoe

Kiven

From the dusty and traffic filled land of dreams, otherwise known as Los Angeles comes a trio of transplants that have a sound and aesthetic that is their own. After meeting at USC, Tyler Demorest, Matt Cohen, and Danny Schnair came together to create Kiven (pronounced Kee-vahn), a band that doesn’t really pertain to one particular genre.  With ethereal and clean vocals, Tyler Demorest’s voice takes the listener on a spiritual journey and add to that Danny Schnair’s hypnotic guitar riffs and Matt Cohen’s bass, the listening experience becomes something surreal and truly beautiful. Elements of MuteMath, Radiohead, and a kind of fortified Bon Iver come to mind, as their different sounds blend together to create something unique and intriguing. With the release of their album “1840” Kiven is a band that can truly hold their own- they defy all categories and labels and have created something that cannot be put into any one kind of genre, something that really separates them from other bands. Kiven recently performed as an opener to Junipero at the Soho, and was a rare treat, and totally unexpected. Numbers like “Hope and Smoke” and “Release” are full of powerful vocals, and heavy machinery, while songs like “Blur” and “Forward” show a more sensitive side that is refreshing, as Tyler also adds piano to some of the songs, giving them a kind of edgy yet delicate feel, an intricate and hard balance to achieve. It is this marriage of different sounds and different approaches that gives Kiven its individual flavor- they defy the rules by tapping into every kind of sound, yet abiding by none. The energy they have as performers is also something really special to see- its as if each performer is having a spiritual and emotional experience with the music, and they emote that to their audience- Danny and Matt’s harmonies add something really profound to their sound as well, as its where the rough meets the pretty, and born are memorable melodies and soulful harmonies that stay with you long after the song is over. Kiven’s music is everything you want in a band; their sound is pleasing yet tough, and their lyrics are introspective. Songs like Blur greet you with rich chords and then disintegrate into a harmoniously set of distorted riffs as Tyler’s vocals float over the band, with Danny and Matt coming in periodically creating surreal moments in their music. For a relatively new band, Kiven has already started to find their footing, bringing something new and interesting to the table. Their energy and diversity of songs demand your attention, and before you know it, you’re captivated, enthralled, and emotionally pulled toward that intangible force that only good music can get you close to. After their concert at Soho, I was able to talk with them a little bit and found them all to be genuine, witty, humble, and all about the music- Kiven is a tremendous force of talent and I highly recommend a listen, it’s an experience of its own. Kiven is recently on tour and just performed at SXSW- it’s a band to look out for; who knows what else these artistic geniuses will come up with next.

I highly recommend “Blur” and “Forward” on their album “1840” and be sure to check out their video “Release” on YouTube

From the left: Matt Cohen, Tyler Demorest, and Danny Schnair of Kiven

Black Joe Lewis and the Honeybears: As sweet as they Sound

It was a cold fall night at UCSB and my friend Sydney and I were getting ready to go to the Black Joe Lewis and the Honeybears Concert that was playing at Campbell as part of the fall arts and lectures series. Sydney had been raving about them for weeks, sending me their music through YouTube videos, posting about them on my Facebook  and insisting that we get tickets and go. I decided why not? I love dirty blues and a good mo-town sound. Going to see Black Joe Lewis was one of the best concert decisions I have ever made. We entered Campbell Hall to find people quietly and orderly sitting down and listening as if we were at a Bach piano recital, not a fun and dare I say it, groovy upbeat blues concert. Black Joe Lewis himself is a hip and energetic character, with a sultry and soulful voice that pulls you in. The band consists of Bill Stevenson on bass guitar, Joseph Woullard on sax, Derek Phelps on trumpet, and Jason Frey on tenor sax. Together they are a truly hypnotic group, with a sound that is completely their own. Their music has a solid foundation of dirty blues and jazz with generous dashes of mo-town and even a little pop. Their music makes you want to shake your hips and do things you wouldn't otherwise do. Sydney and I were disappointed in the mundane crowd, so we decided to get up and dance, which we did with a small group of people that were in the back with us.  Black Joe started the set with "Livin' In the Jungle" an upbeat song about dancing and feeling the "vibe" of the jungle. The song kicks off with solid vocals from Black Joe, who got really into the sound and was hoping the audience would do the same; we were in the back, but believe me there was no way we could have stopped dancing. "Livin in the Jungle" was just a small taste of the the musical wonders that were coming our way. The band played hits off their new album like "Booty City", "I'm Broke", "Stop Breakin' Down" and a very seductive song called "She's So Scandalous" that had every woman in the room, young or old wish they'd brought another pair of panties. Black Joe Lewis has a hypnotic effect on the audience; his charismatic dance moves and the enthusiasm of the band demand your attention and put a trance on your body making you move, like it or not. Halfway through the concert, Sydney, me, and a couple of other people just decided we were not doing Black Joe justice, and that it was not only necessary to dance, but critical to let people know that a band will give you what you give them. This truly great band was playing to a dead audience and me and a small group of people wanted to let the band know that there were some soul-loving, foot tapping, wild things in the audience. So, me in my leather shorts and Sydney in her leather jacket paraded with a group of other people down to the front of the stage and danced to one great number after the next. The versatility in Black Joe's music is really what separates him from the rest of the soul-singers of today; he gives old-school blues riffs and underground jazz a completely new sound, while still keeping it genuine and full of heart. Most of Black Joe's lyrics are written from personal experience, and the listener is able to hear every nuance of pain or happiness through each one of his songs. Maybe this is what makes Black Joe seem so accessible; he's like the cool guy that everyone wants to be, but instead of seeming unapproachable due to his incomparable talent, his music is so real and tangible that instead of feeling distanced from him as an audience member, you feel like he's singing directly to you- a hallmark of a great performer. To feel that intimate in a room full of  people is truly something- during his "She's So Scandalous", I felt like I was getting seduced just watching him and hearing the strong intonation of the word "Scandalous" over and over again. You could compare Black Joe to an eclectic crossover between Ray Charles, Junior Kimbrough, Stevie Wonder, and John Legend, but quite honestly Black Joe is in his own genre. He has managed to bring back the mo-town sound in a revolutionary way, bringing together fans of all ages. It's artists like Black Joe Lewis that bridge the generation gap and prove that through all the uninspired music that is fed to us through every technological device, good, REAL music is still out there and needs to be heard.

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